Converting AVIF to JPG trades cutting-edge compression for universal compatibility. Every browser, email client, OS, and camera handles JPG; AVIF is still gaining support in older ecosystems. This conversion is how you make AVIF content reach every recipient.
Drag & drop image files here, or browse
Drop your AVIF files here
Lossy-to-lossy transcoding adds a small quality hit, most noticeable on fine detail and gradients. JPG cannot store alpha; transparent regions in the AVIF flatten against a background color. HDR and wide-gamut AVIF content gets tonemapped into standard 8-bit sRGB.
JPG is universally supported. Every browser, every OS, every camera, every photo tool handles it. There is no compatibility gap anywhere.
AVIF is an image format built on the AV1 video codec, standardized in 2019. It supports HDR, wide color gamut, 12-bit depth, alpha, and animation. At matched perceived quality it's typically 50% the size of JPG and 20% smaller than WebP. Support is near-universal in modern browsers but spottier in image editors.
JPG (JPEG) is a 1992 lossy photo format that became the default way to store photographs on the web. It uses a discrete cosine transform plus quantization, tuned so that errors fall where human vision is least sensitive. No transparency, no animation, but excellent for photos at 70–90% quality.
Some, especially on gradients and fine texture. AVIF at 400 KB might need 800 KB as JPG to match perceived quality, and the JPG can't preserve AVIF's HDR or wide-gamut data.
It's flattened. JPG has no alpha channel, so transparent AVIF pixels become opaque against a background color (usually white).
AVIF is an image format built on the AV1 video codec, standardized in 2019. It supports HDR, wide color gamut, 12-bit depth, alpha, and animation. At matched perceived quality it's typically 50% the size of JPG and 20% smaller than WebP. Support is near-universal in modern browsers but spottier in image editors.
JPG (JPEG) is a 1992 lossy photo format that became the default way to store photographs on the web. It uses a discrete cosine transform plus quantization, tuned so that errors fall where human vision is least sensitive. No transparency, no animation, but excellent for photos at 70–90% quality.
Yes. The converter runs entirely in your browser using WebAssembly. Your images are never uploaded, never sent to a server, and never leave your device.
There's no hard limit, but because everything runs in your browser you're bounded by available memory. Very large images (over a few hundred megapixels) can hit browser memory limits. Process in smaller batches if you run into issues.